Annie Proulx

The third novel from the Pulitzer Prize-winning author of ‘The Shipping News’, ‘Accordion Crimes’ spans generations, continents and a century and confirms the hallucinatory power of Proulx’s writing. ‘Accordion Crimes’ is a masterpiece of story-telling that spans a century and a continent. It opens in 1890 in Sicily, when an accordion-maker and his son, carrying little more than his finest button accordion, begin their voyage to the teeming, violent port of New Orleans. Within a year, the accordion-maker is murdered by an anti-Italian lynch mob, but his instrument carries the novel into another community of immigrants: German-Americans founding a new town in South Dakota. Moving from South Dakota to Texas, from Montana to Maine, the nine instantly compelling and intricately connected sections of the novel illuminate the lives of the founders of a nation, descendants of Mexicans, Poles, Germans, Irish, Scots and Franco-Canadians. Through the music of the accordion they express their fantasies, sorrows and exuberance.

The stories in Annie Proulx's new collection are peopled by characters who struggle with circumstances beyond their control in a kind of rural noir half-light. Trouble comes at them from unexpected angles, and they will themselves through it, hardheaded and resourceful. Bound by the land and by custom, they inhabit worlds that are often isolated, dangerous, and in Proulx's bold prose, stunningly vivid. In "What Kind of Furniture Would Jesus Pick?" rancher Gilbert Wolfscale, alienated from his sons, bewildered by his criminal ex-wife, gets shoved down his throat the fact that the old-style ranch life has gone. Several stories concern the eccentric denizens of Elk Tooth, a tiny hamlet where life revolves around three bars. Elk Toothers enter beard-growing contests, scrape together a living hauling hay, catch poachers in unorthodox ways. "Man Crawling out of Trees" is about urban newcomers from the east and their discovery, too late, that one of them has violated the deepest ethics of the place. Above all, these stories are about the compelling lives of rapidly disappearing rural Americans. Through Proulx's knowledge of the history of Wyoming and the west, her interest in landscape and place, and her sympathy for the sheer will it takes to survive, we see the seared heart of the tough people who live in the emptiest state. Proulx, winner of the Pulitzer, the National Book Award, and many other prizes, has written a collection of spectacularly satisfying stories. ** ### From Publishers Weekly The beautiful and harsh terrain of Wyoming and the tough and often eccentric people who make their lives there are again on display in this collection of stories (a sequel to the much-lauded *Close Range: Wyoming Stories* ). In "What Kind of Furniture Would Jesus Pick?" Gilbert Wolfscale struggles with drought and debt to hold on to the ranch that has been passed down in his family for generations, driving off his wife and two sons, who have no interest in continuing the legacy. Many old-time ranch owners in this territory are women, and they face similar struggles: in "The Trickle Down Effect," Fiesta Punch hires local ne'er-do-well Deb Sipple for a long-distance hay haul, with disastrous results. Proulx does leaven her tales of hardship and woe with a dry humor, and she doesn't forget to tackle the misguided romance sought by newcomers to the land, as in "Man Crawling Out of Trees," in which a retired couple from the Northeast find that the quiet truce of their marriage can't survive encounters with the resentful locals. While none of the stories in this collection approaches the sweep and wholeness of "Brokeback Mountain" (the standout story from *Close Range* , and soon to be a major film), and other pieces are little more than whimsical sketches (sometimes with a touch of the magical), they paint a rich, colorful picture of local life. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ### From Bookmarks Magazine No one can avoid comparing *Bad Dirt* to its predecessor; critics uniformly lauded *Close Range* for its inventive language and sober themes. This time around, Proulx employs straightforward prose to describe her characters’ often foolish hopes and dreams. Several reviewers praise the sequel for its forays into magical realism and portraits of Western yokels. It’s still bleak, but there is more laughter this time. One story ("What Kind of Furniture Would Jesus Pick?") makes even the most cynical critic take notice. *Copyright © 2004 Phillips & Nelson Media, Inc.*

Now a television mini-series airing on National Geographic May 2020! A Washington Post Best Book of the Year & a New York Times Notable Book From the Pulitzer Prize–­­winning author of The Shipping News and “Brokeback Mountain,” comes the New York Times bestselling epic about the demise of the world’s forests: “Barkskins is grand entertainment in the tradition of Dickens and Tolstoy…the crowning achievement of Annie Proulx’s distinguished career, but also perhaps the greatest environmental novel ever written” (San Francisco Chronicle). In the late seventeenth century two young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a native woman and their descendants live trapped between two cultures. But Duquet runs away, becomes a fur trader, then sets up a timber business. Annie Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse. “A stunning, bracing, full-tilt ride through three hundred years of US and Canadian history…with the type of full-immersion plot that keeps you curled in your chair, reluctant to stop reading” (Elle), Barkskins showcases Proulx’s inimitable genius of creating characters who are so vivid that we follow them with fierce attention. “This is Proulx at the height of her powers as an irreplaceable American voice” (Entertainment Weekly, Grade A), and Barkskins “is an awesome monument of a book” (The Washington Post)—“the masterpiece she was meant to write” (The Boston Globe). As Anthony Doerr says, “This magnificent novel possesses the dark humor of The Shipping News and the social awareness of ‘Brokeback Mountain.’”

**Part autobiography, part natural history,** Bird Cloud **is the glorious story of Annie Proulx’s piece of the Wyoming landscape and her home there.** “Bird Cloud” is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and four-hundred-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy, and she knew what she wanted to build on it—a house in harmony with her work, her appetites and her character, a library surrounded by bedrooms and a kitchen. *Bird Cloud* is the story of designing and constructing that house—with its solar panels, Japanese soak tub, concrete floor, and elk horn handles on kitchen cabinets. It is also an enthralling natural history and archaeology of the region—inhabited for millennia by Ute, Arapaho, and Shoshone Indians—and a family history, going back to nineteenth-century Mississippi riverboat captains and Canadian settlers. Proulx, a writer with extraordinary powers of observation and compassion, here turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time.

**From the Pulitzer Prize–winning and bestselling author of** The Shipping News **and** Accordion Crimes **comes one of the most celebrated short story collections of our time.** Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the difficult affair between two cowboys survives everything but the world's violent intolerance. These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes—confrontation of tough problems, prejudice, persistence in the face of difficulty—with the more benign values of the new west. Stories in *Close Range* have appeared in *The New Yorker, The Atlantic Monthly, Harper's,* and *GQ.* They have been selected for the *O. Henry Stories 1998* and *The Best American Short Stories of the Century* and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft.

From Pulitzer Prize–winning author Annie Proulx, an "unforgettable" (Miami Herald) and "vivid" (Oprah Daily) collection of stories set in Wyoming. Winner of two O. Henry Prizes, Annie Proulx has been anthologized in nearly every major collection of great American stories. Her bold, inimitable language, her exhilarating eye for detail, her dark sense of humor, and her compassion inform this profoundly compelling collection of stories. Proulx creates a fierce, visceral panorama of American folly and fate in these nine dazzling stories about multiple generations of Americans struggling through life in the West. Each character is a pioneer of a sort—some are billionaires, some are escapists, and some just think the rest of the country has it wrong. Deeply sympathetic to the men and women fighting to survive in this harsh place, Proulx turns their lives into fiction with the power of myth, leaving the reader in awe.

Annie Proulx’s first novel, which received huge acclaim and launched an outstanding literary career. ‘Postcards’ is the story of Loyal Blood, a man who spends a lifetime on the run from a crime so terrible that it renders him forever incapable of touching a woman. The odyssey begins on a freezing Vermont hillside in 1944 and propels Blood across the American West for forty years. Denied love and unable to settle, he lives a hundred different lives: mining gold, growing beans, hunting fossils, trapping, prospecting for uranium and ranching. His only contact with his past is through a series of postcards he sends home – not realising that in his absence disaster has befallen his family, and their deep-rooted connection with the land has been severed with devastating consequences...

From Pulitzer Prize and National Book Award winner Annie Proulx comes an exhilarating story brimming with language, history, landscape, music, and love. Bob Dollar is a young man from Denver trying to make good in a bad world. Out of college and aimless, Dollar takes a job with Global Pork Rind, scouting out big spreads of land that can be converted to hog farms. Soon he's holed up in a two-bit Texas town called Woolybucket, where he settles into LaVon Fronk's old bunkhouse for fifty dollars a month, helps out at Cy Frease's Old Dog Café, and learns the hard way how vigorously the old Texas ranch owners will hold on to their land, even when their children want no part of it. Robust, often bawdy, strikingly original, That Old Ace in the Hole traces the waves of change that have shaped the American West over the past century—and in Bob Dollar, Proulx has created one of the most irrepressible characters in contemporary fiction.

The tie-in edition of the long-awaited film of this contemporary classic starring Kevin Spacey, Julianne Moore and Dame Judi Dench. A vigorous, darkly comic and at times magical portrait of the contemporary family. At thrity-six, Quoyle, a thrid-ratejournalist, is wrenched violently from his everyday life when his two-timing wife meets her just deserts. He retreats with his two daughters to his ancestral home on the starkly beautiful Newfoundland coast, where a rich cast of local characters all play a part in Quoyle's struggle to reclaim his life. As three generations of his family build new lives, Quoyle confronts his private demons - and the unpredictable forces of nature and society - and begins to see the possibility of love without pain or misery

Winner of the Pulitzer Prize, Annie Proulx’s The Shipping News is a vigorous, darkly comic, and at times magical portrait of the contemporary North American family. Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives. Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents). As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.