David Grossman

<b>The acclaimed author of <i>To the End of the Land</i> now gives us a searing short novel about the life of a standup comic as revealed in the course of one evening's performance&#8212;comedy that will lean inexorably toward tragedy.</b> <br>In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of standup. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood&#8212;his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring; his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth&#8212;where Lazar witnessed what became the... <p><strong>WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE 2017</strong> ** </p> <p>** <strong>A</strong> Guardian <strong>and</strong> New Statesman <strong>Book of the Year</strong> ** </p> <p>The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him. </p> <p>** A Horse Walks into a Bar <strong>is a shocking and breathtaking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn’t know whether to laugh or cry – and all this in the presence of a former childhood friend who is trying to understand why he’s been summoned to this performance.</strong></p>

The international bestseller Be My Knife is a compelling love story from David Grossman, the leading Israeli novelist of his generation"We could be like two people who inject themselves with truth serum, and at long last have to tell it--the truth. I want to be able to say to myself, 'I bled truth with her,' yes, that's what I want. Be a knife for me, and I, I swear, will be a knife for you. "An awkward, neurotic seller of rare books writes a desperate letter to a beautiful stranger whom he sees at a class reunion. This simple, lonely attempt at seduction begins a love affair of words between Yair and Miriam, two married, middle-aged adults, dissatisfied with their lives, yearning for the connection that has always eluded them--and, eventually, reawakened to feelings that they thought had passed them by. Their correspondence unfolds into an exchange of their most naked confessions: of desire, childhood tragedies, joys, and humiliations. Through the dialogue between Yair--a family man and surprisingly successful adulterer, whose complex, guarded letters reveal a life of secrets kept from the people closest to him--and Miriam, at first deceptively open and warm, who fills her life with distraction to avoid a past full of painful secrets, Be My Knife explores the nature and the limits of intimacy. A deep departure from David Grossman's previous work, Be My Knife is his subtlest, most passionate novel yet.

In autumn 1993 the Oslo Agreements were signed by Yitzhak Rabin and Yasser Arafat, marking the beginning of promise for a constructive peace between the Israelis and the Palestinians. The ten years that followed were charted first by hope and optimism only to deteriorate into revenge and violence. Throughout this decade David Grossman has published articles in the American and European press, written in a personal voice - father, husband, peace activist, novelist - as he witnesses devastating events, he cries out with a prophetic wisdom, imploring both sides to return to sanity, to negotiations. The publication of this collection of articles will mark ten years to the dream of Oslo.

<p>In this compassionate and genre-defying drama the internationally acclaimed author of To the End of the Land weaves an incandescent tale of parental grief. A powerful distillation of the experience of understanding and acceptance, and of art’s triumph over death, Falling Out of Time is part play, part prose, and pure poetry. As Grossman’s characters ultimately find solace and hope through their communal acts of mourning, readers will find comfort in their clamorous vitality, and in the gift of storytelling—a realm where loss is not an absence, but a life force in its own right.</p> <p>Following the magisterial <i>To the End of the Land</i>, the universally acclaimed Israeli author brings us an incandescent fable of parental grief-slim, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death.<br><br>In <i>Falling Out of Time</i>, David Grossman has created a genre-defying drama-part play, part prose, pure poetry-to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man-called simply the "Walking Man"-paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory?...

**A** New York Times Book Review **Editors' Choice ** **In** Her Body Knows **, a fevered storyteller and a captive audience revisit the past together in each of David Grossman's novellas, trying to make sense of a betrayal that neither one can put to rest.** In "Frenzy," reserved, respectable Shaul lets his sister-in-law, Esti, into a secret nightmare, as he reveals to her his conviction that his wife is having an affair. Along with Esti, we find ourselves trapped in his paranoia and desperation as we accompany the odd pair down Israel's highways on a journey that reveals a passion perverted by jealousy and self-loathing. In the title story, a successful but embittered novelist visits her mother, who is in the last stages of cancer. Grossman investigates the powers of storytelling to harm and heal as the daughter reads aloud her own imagined, merciless account of her mother's love affair with a much younger teenage boy. Gradually it becomes clear that, for all its anger, the daughter's story and the writing process itself have led her to a new appreciation of her mother's difficult character, and her own. Studies in obsession, claustrophobia, and the need to confess, these two novellas mark a new departure from "a writer who has been, for nearly two decades, the one of the most original and talented ... anywhere." ( *The New York Times Book Review* ).

A consideration of one of the Bible’s most powerful stories from a leading Israeli writer In this fascinating reexamination of the story of Samson, David Grossman goes beyond the surface of the familiar tale to look into what the life of this extraordinary man must have been like. What it felt like to have been “chosen” to release his people from the yoke of the Philistines, and yet alienated from them by his very otherness; what moved him to his acts of wild vandalism and his self-destructive passions; why he chose to keep some things secret, but not the most significant secret of all. We are left with the troubling knowledge that Samson bore too heavy a burden even for a man of his supernatural strength to bear alone. “There are few other Bible stories with so much drama and action, narrative fireworks and raw emotion, as we find in the tale of Samson: the battle with the lion; the three hundred burning foxes; the women he bedded and the one woman that he loved; his betrayal by all the women in his life, from his mother to Delilah; and, in the end, his murderous suicide, when he brought the house down on himself and three thousand Philistines. Yet beyond the wild impulsiveness, the chaos, the din, we can make out a life story that is, at bottom, the tortured journey of a single, lonely and turbulent soul who never found, anywhere, a true home in the world, whose very body was a harsh place of exile. For me, this discovery, this recognition, is the point at which the myth – for all its grand images, its larger-than-life adventures – slips silently into the day-to-day existence of each of us, into our most private moments, our buried secrets.”–from David Grossman’s introduction to Lion’s Honey

'Absorbing and moving ... wonderful' Daily Mail'This pair of dramatic novellas are tough fictions, elegant and near virtuoso in the exactness of the sensuous, physical prose but relentless in their pursuit of emotional truth ... his fiction is lively, intense and unafraid of tackling the most raw corners of a psyche' Irish TimesThese two novellas concern love. In 'Frenzy', Shaul is convinced that his wife is having an affair. He feverishly imagines her, in every painful detail, with her lover. Esther has never seen the human side of her aloof brother-in-law, but during a night-time journey Shaul unburdens himself, recreating an affair he has never witnessed. Is he mad? Or has he divined the truth?In 'Her Body Knows', Rotem has spent most of her life being angry with her mother, Nilli. Now Nilli is dying and Rotem, who has finally found happiness in London, must return to say goodbye. She arrives with a story about Nilli, full of accusations, empathy, love and forgiveness.

David Grossman's masterly fusing of vision, thought, and emotion make See Under: Love a luminously imaginative and profoundly affecting work. In this powerful novel by one of Israel's most prominent writers, Momik, the only child of Holocaust survivors, grows up in the shadow of his parents' history. Determined to exorcise the Nazi "beast" from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him—the same stories he told the commandant of a Nazi concentration camp—Momik, too, becomes "infected with humanity. " "A dazzling work of imagination. "--Michiko Kakutani, The New York Times

Based on conversations with Palestinians in Israel, David Grossman's Sleeping on a Wire, like The Yellow Wind, is essential reading for anyone trying to understand the Middle East today. Israel describes itself as a Jewish state. What, then, is the status of the one-fifth of its citizens who are not Jewish? Are they Israelis, or are they Palestinians? Or are they a people without a country? How will a Palestinian state—if it is established—influence the sense of belonging and identity of Palestinian Israeli citizens? "No other Israeli writer so far has approached this touchy subject with such compassion, or looked at it with, so to speak, bifocal eyes, Israeli and Palestinian. " --Amos Elon, The New York Review of Books

A bestselling love story of two teenagers - and one missing dog - on the run in Jerusalem by the highly esteemed author of The Zigzag Kid'Brings together the differing aspects of his writing in a book that unites social realism and dizzy teenage romance ... This is a book about feelings, about highs and lows, chemical, emotional, religious' Daily TelegraphEarnest, awkward and painfully shy, sixteen-year-old Assaf is having the worst summer of his life. With his big sister gone and his best friend suddenly the most popular kid in their class, Assaf spends his days at a lowly summer job in Jerusalem City Hall and his evenings alone, watching television and playing games on the Internet. One morning, Assaf's routine is interrupted by an absurd assignment: to find the owner of a stray yellow labrador. Meanwhile on the other side of the city, Tamar, a talented singer with a lonely, tempestuous soul, undertakes an equally unpromising mission: to rescue a young drug addict from the Jerusalem underworld ... and, eventually, to find her dog.

With The Book of Intimate Grammar, leading Israeli novelist David Grossman gives us the story of the greatest and most universal tragedy, the loss of the world of childhood. At twelve, Aron Kleinfeld is the ringleader among the boys in his Jerusalem neighborhood, their inspiration in dreaming up games and adventures. But as his friends begin to mature, Aron remains imprisoned for three long years in the body of a child. While Israel inches toward the Six-Day War, and the voices of his friends change and become strange to him, Aron lives in his child body as though in a nightmare. Like a spy in enemy territory, he learns to decipher the internal codes of sexuality and desire, to understand the unyielding bureaucracy of the human body. Hurled between childhood and adulthood, between the pure and the profane, he is like a volcano of emotions and impulses. But, like his hero Houdini, Aron still struggles to escape from the trap of growing up. The Book of Intimate Grammar is about the alchemy of childhood, which transforms loneliness and fear into creation, and about the struggle to emerge an artist. Funny, painful, and passionate, it is a work of enormous intensity and beauty.

In a chorus of voices David Grossman's The Smile of the Lamb tells the story of Uri, an idealistic young Israeli soldier serving in an army unit in the small Palestinian village of Andal, in the occupied territories, and his relationship with Khilmi, a nearly blind old Palestinian storyteller. Gradually as the violent reality of the occupation that infects both the occupier and the occupied alike merges with the old man's stories, Uri, captivated by Khilmi's wisdom, tries to solve the riddles and deceits that make up his life. Originally published in Hebrew in 1983, The Smile of the Lamb is a novel of disillusionment and a piercing examination of injustice and dishonesty.

David Grossman's The Yellow Wind is essential reading for anyone who seeks a deeper understanding of Israel today. The Israeli novelist David Grossman's impassioned account of what he observed on the West Bank in early 1987—not only the misery of the Palestinian refugees and their deep-seated hatred of the Israelis but also the cost of occupation for both occupier and occupied—is an intimate and urgent moral report on one of the great tragedies of our time. This edition includes a new afterword by the author.

David Grossman's classic novels See Under: Love and The Book of Intimate Grammar, earned him international acclaim as an author of childhood. The Zig Zag Kid, written in a more optimistic vein, recounts thirteen-year-old Nonny Feuerberg's picturesque journey into adulthood. As Nonny's Bar Mitzvah year trip turns into an amazing adventure, he not only finds himself befriending a notorious criminal, and a great actress, but confronts the great mystery of his own identity. With wit and humor, The Zig Zag Kid is a novel that explores the most fundamental questions of good and evil and speaks directly to both adults and teenagers.

NATIONAL BESTSELLER • A stunning novel that tells the powerful story of Ora, an Israli mother, and her extraordinary love for her son, Ofer, in a haunting meditation on war and family. “One of the few novels that feel as though they have made a difference to the world.” —The New York Times Book ReviewJust before his release from service in the Israeli army, Ora’s son Ofer is sent back to the front for a major offensive. In a fit of preemptive grief and magical thinking, so that no bad news can reach her, Ora sets out on an epic hike in the Galilee. She is joined by an unlikely companion—Avram, a former friend and lover with a troubled past—and as they sleep out in the hills, Ora begins to conjure her son. Ofer’s story, as told by Ora, becomes a surprising balm both for her and for Avram.