Italo Calvino

Italo Calvino in Collection of Sand claimed that 'the brain begins in the eye'. The essays collected here display his fascination with the visual universe, in which the things we see tell a truth about the world. With encyclopedic knowledge and engaging curiosity, Calvino writes about such diverse subjects as the imaginative pleasures of maps, bizarre exhibitions and the earliest forms of written language. Books and paintings provoke discussions of artistic motivation, while descriptions of a meticulous Japanese garden, Trajan's column crumbling to dust or a Mexican temple smothered by the jungle lead to contemplations on space, time and civilization. Surprising and profound, Collection of Sand provides a glimpse into the mind of a master of the magination. Italo Calvino, one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba in 1923 and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. He died in Siena in 1985, of a brain hemorrhage. Martin L. McLaughlin is Professor of Italian and Fiat-Serena Professor of Italian Studies at the University of Oxford where he is a Fellow of Magdalen College. He is the English translator of Umberto Eco and Italo Calvino among many others.

A masterwork by the incomparable, genre-defying, wondrous Italo Calvino. You go into a bookshop and buy If on a Winter's Night a Traveller by Italo Calvino. You like it. But there is a printer's error in your copy. You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again. This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero of them all is you, the reader.'Breathtakingly inventive' David Mitchell'A writer of dizzying ambition and variety, each of his stories is a fresh adventure into the possibilities of fiction' Guardian

EDITORIAL REVIEW: Chosen by The New York Times as one of its best books in the year of its original publication, this treasure trove of 200 lively Italian folktales has won a cherished place among fans of the Brothers Grimm and Hans Christian Andersen. In this collection, Calvino combines a sensibility attuned to the fantastical with a singular writerly ability to capture the visions and dreams of a culture.

Viscount Medardo is bisected by a Turkish cannonball on the plains of Bohemia; Baron Cosimo, at the age of twelve, retires to the trees for the rest of his days; Charlemagne's knight, Agiluf, is an empty suit of armour. These three vivid images are the points of departure for Calvino's classic triptych of moral tales, now published in one volume and all displaying the exuberant talent of a master storyteller. Viscount Medardo is bisected by a Turkish cannonball on the plains of Bohemia; Baron Cosimo, at the age of twelve, retires to the trees for the rest of his days; Charlemagne's knight, Agiluf, is an empty suit of armour. These three vivid images are the points of departure for Calvino's classic triptych of moral tales, now published in one volume and all displaying the exuberant talent of a master storyteller.'The most magically ingenious of the contemporary Italian novelists' The Times

Italo Calvino, one of the world's best storytellers, died on the eve of his departure for Harvard, where he was to deliver the Charles Eliot Norton Lectures in 1985-86. Reticent by nature, he was always reluctant to talk about himself, but he welcomed the opportunity to talk about the making of literature. In the process of devising his lectures--his wife recalls that they were an "obsession" for the last year of his life--he could not avoid mention of his own work, his methods, intentions, and hopes. This book, then, is Calvino's legacy to us: those universal values he pinpoints for future generations to cherish become the watchword for our appreciation of Calvino himself. What about writing should be cherished? Calvino, in a wonderfully simple scheme, devotes one lecture (a memo for his reader) to each of five indispensable literary values. First there is "lightness" (leggerezza), and Calvino cites Lucretius, Ovid, Boccaccio, Cavalcanti, Leopardi, and Kundera--among others, as always--to show what he means: the gravity of existence has to be borne lightly if it is to be borne at all. There must be "quickness," a deftness in combining action (Mercury) with contemplation (Saturn). Next is "exactitude," precision and clarity of language. The fourth lecture is on "visibility," the visual imagination as an instrument for knowing the world and oneself. Then there is a "tour de force" on "multiplicity," where Calvino brilliantly describes the eccentrics of literature (Elaubert, Gadda, Musil, Perec, himself) and their attempt to convey the painful but exhilarating infinitude of possibilities open to humankind. The sixth and final lecture - worked out but unwritten - was to be called "Consistency. " Perhaps surprised at first, we are left to ponder how Calvino would have made that statement, and, as always with him, the pondering leads to more. With this book Calvino gives us the most eloquent, least defensive "defense of literature" scripted in our century - a fitting gift for the next millennium. Esther Calvino has supervised the preparation of this book. She is Italo Calvino's Argentinian-born wife and a translator for several international organizations. Among Calvino's best-known works of fiction are "Invisible Cities, Cosmicomics, The Baron in the Trees, if on a winter's night a traveler, and Mr. Palomar. "

A collection of stories about time, space, and the evolution of the universe in which the author blends mathematics with poetic imagination. "Calvino does what very few writers can do: he describes imaginary worlds with the most extraordinary precision and beauty" (Gore Vidal, New York Review of Books). Translated by William Weaver. A Helen and Kurt Wolff Book

<p>'The inspector ordered that the bird be searched.</p> <p>One of the agents stalled saying it made him feel sick, and after some fierce pecking another withdrew sucking a bleeding finger.'In these two stories from an inventive, comic master of the form, old friends and friendly rivals Pietro and Tommasso discover a treasure lost by the side of the road, and become suspected of a using a blameless chicken for devious ends. Italo Calvino's writing explores the fringes of these small, unusual scenes and finds incalculable wisdom and humour there.</p> <p>This book contains The Queen's Necklace and The Workshop Hen.</p> <p>'The inspector ordered that the bird be searched.One of the agents stalled saying it made him feel sick, and after some fierce pecking another withdrew sucking a bleeding finger.'In these two stories from an inventive, comic master of the form, old friends and friendly rivals Pietro and Tommasso discover a treasure lost by the side of the road, and become suspected of a using a blameless chicken for devious ends. Italo Calvino's writing explores the fringes of these small, unusual scenes and finds incalculable wisdom and humour there.This book contains The Queen's Necklace and The Workshop Hen. <p>'The inspector ordered that the bird be searched.One of the agents stalled saying it made him feel sick, and after some fierce pecking another withdrew sucking a bleeding finger.'In these two stories from an inventive, comic master of the form, old friends and friendly rivals Pietro and Tommasso discover a treasure lost by the side of the road, and become suspected of a using a blameless chicken for devious ends. Italo Calvino's writing explores the fringes of these small, unusual scenes and finds incalculable wisdom and humour there.This book contains The Queen's Necklace and The Workshop Hen.

This is a series of five autobiographical essays by the Italian writer, Italo Calvino. The first, The Road to San Giovanni, revolves around his father and the house and town where he grew up; the second explores his childhood experience of film, notably the figure of Clark Gable; the third, his experience of war as a member of the Italian Resistance, fighting the fascists; the fourth, houses - particularly the role of the kitchen in domestic life; and the fifth, From the Opaque, is a series of philosophical thoughts about the shape of the world.

This collection of three long stories by the author of Cosmicomics “demonstrates clearly his talent for transforming the mundane into the marvelous” (The New York Times). Italo Calvino is widely recognized as one of postwar Italy’s greatest fiction writers and one of the twentieth century’s greatest fabulists. This collection of three stories showcases his range and virtuosity. In the title story, an Italian Communist poll watcher is stationed at a hospital in Turin, where nuns guide the hands of invalids to their preferred candidate in a special election. In “Smog,” a city’s cooperative laundry facility reveals a harbinger of social purification. And in “The Argentine Ant,” the citizens of a provincial seaside town struggle against a government-controlled infestation. “Like Jorge Luis Borges and Gabriel García Márquez, Italo Calvino dreams perfect dreams for us.” —John Updike, New Yorker

'An indispensable writer ... Calvino, possesses the power of seeing into the deepest recesses of human minds and then bringing their dreams to life' Salman RushdieThe difference between life and literature; the good intentions of holiday reading; the avante-garde; the fate of the novel; the fantastical; the art of translation: these are just some of the ideas in The Written World and the Unwritten World. A collection of essays, articles, interviews, correspondence, notes and other occasional pieces on writing, reading and interpreting books, this work gives us new insight into Italo Calvino's expansive, curious and generous mind. Translated by Ann Goldstein

"All that can be done is for each one of us to invent our own ideal library of our classics. " --from Why Read the Classics? Classics, according to Italo Calvino, are not only works of enduring cultural value, but also something much more personal: talismans, touchstones, books through which we understand our world and ourselves. In Why Read the Classics?, Calvino shares over thirty of his classics in essays of warmth, humor, and striking insight. He ranges from Homer to Jorge Luis Borges, from the Persian folklorist Nezami to Charles Dickens. Whether tracing the links between Ovid's Metamorphoses and Alain Robbe-Grillet's objectivity, discovering the origins of science fiction in the writings of Cyrano de Bergerac, or convincing us that the Italian novelist Carlo Emilio Gadda's works are like artichokes, Calvino offers a new perspective on beloved favorites and introduces us to hidden gems. "This book serves as a welcome reminder that the great works are great because they can mean so much to readers, and Calvino is a most knowledgeable guide to all the best destinations. " --San Francisco Chronicle