KINGSLEY AMIS

With Lucky Jim Kingsley Amis established himself as the bad boy of twentieth-century British letters. Later he became famous as another kind of bad boy, an inveterate boozer, a red-faced scourge of political correctness. He was consistent throughout in being a committed enemy of any form of “right thinking,” which helped to make him one of the most consistently unconventional and exploratory writers of his day, a master of classical English prose who was unafraid to apply himself to literary genres all too often dismissed as “low.” Science fiction, the spy story, the ghost story were all grist for Amis’s mill, and nowhere is the experimental spirit in which he worked, his will to test both reality and the reader’s imagination, more apparent than in his short stories. These “woodchips from [his] workshop”—as he called them—are anything but throwaway work. They are instead the essence of Amis, a brew that is as tonic as it is intoxicating.

In Kingsley Amis's Difficulties With Girls, Jenny Bunn and Patrick Standish have settled into London life with their troubled courtship long behind them. Patrick works in publishing and Jenny teaches sick children in a hospital. They have reached a certain level of maturity, or so they think. It is not long before they realize their respectability will be severely tested by seductive neighbours with a taste for whisky, the sexually confused Ted Valentine, and the literary set of Hampstead. In this funny and provocative study of a young couple growing up, Amis shows us that the difficulty with marriage is that it's so hard to preserve, especially when Patrick and Jenny harbour deep yearnings for a different kind of life. Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

At Tuppenny-hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-hapenny Cottage. Disaster and chaos, it seems, are just around the corner ...Told with Amis's piercing wit and humanity, Ending Up (1974) is a wickedly funny black comedy of the indignities of old age. With a new introduction by Helen Dunmore. At Tuppenny-hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-hapenny Cottage. Disaster and chaos, it seems, are just around the corner ... Told with Amis's piercing wit and humanity, *Ending Up* (1974) is a wickedly funny black comedy of the indignities of old age. With a new introduction by Helen Dunmore.

Kingsley Amis was one of the great masters of comic prose, and no subject was dearer to him than the art and practice of imbibing. This new volume brings together the best of his three out-of-print works on the subject: *Kingsley Amis on Drink, Everyday Drinking,* and *How's Your Glass?* In one handsome package, the book covers a full shelf of the master's riotous and erudite thoughts on the drinking arts: Along with a series of well-tested recipes (including a cocktail called the Lucky Jim) are Amis's musings on The Hangover, The Boozing Man's Diet, The Mean Sod's Guide, and (presumably as a matter of speculation) How Not to Get Drunk-all leavened with fun quizzes on the making and drinking of alcohol all over the world. Mixing practical know-how and hilarious opinionation, this is a delightful cocktail of wry humor and distilled knowledge, served by one of our great gimlet wits.

Douglas Yandell, a young-ish music critic, is enlisted by Kitty Vandervane to keep an eye on her roving husband - the eminent conductor and would-be radical Sir Roy - as he embarks on yet another affair. Roy, meanwhile, wants Douglas as an alibi for his growing involvement with Sylvia, an unsuitably young woman who loves nothing more than to shock and provoke. Life soon becomes extremely complicated as Douglas finds himself caught up in a frantic, farcical tangle of relationships, rivalry and scandal. Girl, 20 is a merciless send-up of 1970s London's permissive society from a master of uproarious comedy. With a new introduction by Howard Jacobson.

The hero of One Fat Englishman, a literary publisher and lapsed Catholic escaped from the pages of Graham Greene to the campus of Budweiser College in provincial Pennsylvania, is philandering, drunken, bigoted, and very very fat, not to mention in a state of continuous spluttering rage against everything, not least his own overgrown self. In America, Roger Micheldene must deal with not so obliging suburban housewives, aspiring Jewish novelists who as good as clean his clock, stray deer, bad cigars, children who beat him at Scrabble (“It was no wonder that people were horrible when they started life as children”), and America itself, while making ever-more desperate and humiliating overtures to Helen, a Scandinavian ice queen. If only Roger would dare to show some real feeling of his own. This comic masterpiece—about the 1950s crashing drunkenly into the consumerist 1960s and a final scion of a disintegrating Old World empire encountering its upstart New World offspring—is one of Kingsley Amis’s greatest and most caustic performances.

In Kingsley Amis's Take A Girl Like You, twenty year old Jenny Bunn is supernally beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn. Few twentieth century novelists have explored our preoccupation with sex like Kingsley Amis. The results are surprising and often hilarious. Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

In That Uncertain Feeling by Kingsley Amis, competition is stiff for the position of sub-librarian in Aberdarcy Library. For John Lewis, the situation is complicated by the attentions of daunting and desirable village socialite, Elizabeth Gruffyd-Williams, who is married to a member of the local Council. Pursuing an affair with her whilst keeping his job prospects alive is John's predicament, as he finds himself running down Welsh country lanes at midnight in a wig and dress, resisting the advances of local drunks and suffering the long speeches of a 'nut-faced' clergyman. At times tenderly satirical and at times riotously slap-stick, Amis sends up an array of rural stereotypes in this story about a man who doesn't know what he wants. Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

The owner of a haunted country inn contends with death, fatherhood, romantic woes, and alcoholism in this humorous, “rattling good ghost story” from a Booker Prize–winning author (The New York Times) Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral. Maurice’s problems are many and increasing: How to deal with his own declining health? How to reach out to a teenage daughter who watches TV all the time? How to get his best friend’s wife in the sack? How to find another drink? (And another.) And then there is always death. The Green Man is a ghost story that hits a live nerve, a very black comedy with an uncannily happy ending: in other words, Kingsley Amis at his best.

Age has done everything except mellow the characters in Kingsley Amis's *The Old Devils* , which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years--when "all of a sudden the evening starts starting after breakfast"--nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon. Long-dormant rivalries and romances are rudely awakened, as life at the Bible and Crown, the local pub, is changed irrevocably. Considered by Martin Amis to be Kingsley Amis's greatest achievement--a book that "stands comparison with any English novel of the [twentieth] century"-- *The Old Devils* confronts the attrition of ageing with rare candor, sympathy, and moral intelligence. EDITORIAL REVIEW: Winner of the 1986 Booker Prize. Malcolm, Peter and Charlie and their Soave-sodden wives have one main ambition left in life: to drink Wales dry. But their routine is both shaken and stirred when they are joined by professional Welshman Alun Weaver (CBE) and his wife, Rhiannon. Booker Prize WinnerA pub gathering of elderly married couples devolves into booze-inflected reminiscing—and complaining—in this “sharp and funny” English comedy about marriage, aging, and friendship (The Washington Post). Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon. Long-dormant rivalries and romances are rudely awakened, as life at the Bible and Crown, the local pub, is changed irrevocably. Considered by Martin Amis to be Kingsley Amis’s greatest achievement—a book that “stands comparison with any English novel of the [twentieth] century”—The Old Devils confronts the attrition of ageing with rare candor, sympathy, and moral intelligence.

A mummy is stolen from a small town museum along with some Roman coins and a soaking wet man collapses in fourteen year old Peter Furneaux's living room bleeding from the head. What was a suspected student prank is followed by murder. At first it is impossible to see the connection, but the eccentric Colonel Manton does. With Peter's help the Colonel unravels a mystery that strikes fear into the heart of a genteel suburban neighbourhood and gives Peter rather more excitement than he bargained for at the tennis club social. This meticulously paced thriller shows Amis at his most subtle and daring.