Kurt Vonnegut

The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident. Everything was perfectly swell. There were no prisons, no slums, no insane asylums, no cripples, no poverty, no wars. All diseases were conquered. So was old age. Death, barring accidents, was an adventure for volunteers. Never, never, never -- not even in medieval Holland nor old Japan -- had a garden been more formal, been better tended. Every plant had all the loam, light, water, air and nourishment it could use. A hospital orderly came down the corridor, and looked in at the mural and the muralist. "Looks so real," he said, "I can practically imagine I'm standing in the middle of it. " "What makes you think you're not in it?" said the painter. He gave a satiric smile. "It's called 'The Happy Garden of Life, ' you know. "

A Man Without a Country is Kurt Vonnegut’s hilariously funny and razor-sharp look at life ("If I die—God forbid—I would like to go to heaven to ask somebody in charge up there, ‘Hey, what was the good news and what was the bad news?"), art ("To practice any art, no matter how well or badly, is a way to make your soul grow. So do it. "), politics ("I asked former Yankees pitcher Jim Bouton what he thought of our great victory over Iraq and he said, ‘Mohammed Ali versus Mr. Rogers.’"), and the condition of the soul of America today ("What has happened to us?"). Based on short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching.

View our feature on Kurt Vonnegut's Armageddon in Retrospect. Published on the first anniversary of Kurt Vonnegut's death in April 2007, Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace. Written with Vonnegut's trademark rueful humor, the pieces range from a visceral nonfiction recollection of the destruction of Dresden during World War II-a piece that is as timely today as it was then-to a painfully funny story about three privates and their fantasies of the perfect first meal upon returning home from war; to a darker and more poignant story about the impossibility of shielding our children from the temptations of violence. This is a volume that says as much about the times in which we live as it does about the genius of the man who wrote it. Also included here is Vonnegut's last speech, as well as an assortment of his drawings, and an introduction by the author's son, Mark Vonnegut.

Before the Golden Age of magazines drew to a close half a century ago -- soon to be beaten at the entertainment game by the new little boxes with moving images that were finding their way into the homes of more and more Americans -- a young PR man at General Electric sold his first short story to one of the doomed publications. By the time he'd sold his third, he decided to quit GE and join the likes of Hemingway and Fitzgerald and Faulkner. and try to make a living at fifteen hundred dollars a pop. With four major magazines running five stories each week and smaller ones scouting as well, it was a seller's market, and Kurt Vonnegut was delighted -- and comfortable -- being published regularly by The Saturday Evening Post, Collier's, Argosy, and others.

“Ranks with Vonnegut’s best and goes one step beyond . . . joyous, soaring fiction.”—The Atlanta Journal and ConstitutionBroad humor and bitter irony collide in this fictional autobiography of Rabo Karabekian, who, at age seventy-one, wants to be left alone on his Long Island estate with the secret he has locked inside his potato barn. But then a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves. Praise for Bluebeard“Vonnegut is at his edifying best.”—The Philadelphia Inquirer“The quicksilver mind of Vonnegut is at it again. . . . He displays all his talents—satire, irony, ridicule, slapstick, and even a shaggy dog story of epic proportions.”—The Cincinnati Post “[Kurt Vonnegut is] a voice you can trust to keep poking holes in the social fabric.”—San Francisco Chronicle “It has the qualities of classic Bosch and Slaughterhouse Vonnegut. . . . Bluebeard is uncommonly feisty.”—USA Today “Is Bluebeard good? Yes! . . . This is vintage Vonnegut—good wine from his best grapes.”—The Detroit News “A joyride . . . Vonnegut is more fascinated and puzzled than angered by the human stupidities and contradictions he discerns so keenly. So hop in his rumble seat. As you whiz along, what you observe may provide some new perspectives.”—Kansas City Star

SUMMARY: Breakfast Of Champions is vintage Vonnegut. One of his favorite characters, aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. The result is murderously funny satire as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly

“The master at his quirky, provocative best.”—CosmopolitanDeadeye Dick is Kurt Vonnegut’s funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors—a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb—Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe . . . and who we say we are. Praise for Deadeye Dick“A moving fable . . . Vonnegut, sweet cynic and ugly duckling, continues to write gentle swan songs for our uncivil society.”—Playboy “A brilliantly unconventional novel . . . a must for all Vonnegut fans.”—Worcester Sunday Telegram “Hits the bull’s-eye . . . dolefully celebrates the randomness of life, treating private and public disasters with a kind of reckless whimsy. . . . You don’t read Kurt Vonnegut for meaning exactly. You read him for the sad-funny attitude of mind, the kind of weirdness that can interpret the world’s weirdness.”—USA Today “Vonnegut is beguiling as ever . . . Incredible plot constructions and inventive language continue to leap from his typewriter . . . the humor is natural and inborn; the insight usually purchased by his characters at painfully high cost. Funny how life turns out. Even funnier how Mr. Vonnegut turns life’s insanities into funny, profound sense. That takes a master’s touch. Mr. Vonnegut still has it.”—Kansas City Star “Playful and imaginative . . . On finishing the novel, the kitchen of your mind is a cleaner and more well-lighted place than it was before.”—Houston Chronicle “Endearing and enchanting . . . a wise and charming book . . . very full of life.”—Glamour

Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In “Ed Luby’s Key Club,” a man on a dinner date with his wife finds himself plunged into a Kafkaesque nightmare after he’s wrongly accused of murder in Ilium, a small town run by one of Al Capone’s former bodyguards–and rotten to the core with official corruption. “Ed Luby’s Key Club” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times SUMMARY: “Beautiful…provocative, arresting reading.”–USA TodayKURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving. “Vonnegut is a postmodern Mark Twain... Galápagos is a madcap genealogical adventure.”–The New York Times Book Review* The New York Times “Beautiful…provocative, arresting reading.”–USA Today KURT VONNEGUT is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.” Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving.

From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind. In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes. What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

SUMMARY: "God Bless You, Mr. Rosewater" is a comic masterpiece. Eliot Rosewater, drunk, volunteer fireman, and President of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature...with a little help from writer Kilgore Trout. The result is Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

Happy Birthday, Wanda June presents the return of Harold Ryan and Colonel Looseleaf, two classic American heroes. Ryan, an explorer and Looseleaf, who dropped an atomic bomb on Nagasaki, have been in the Amazon Rain Forest for the past eight years and return home, with Ryan in particular expecting a welcome celebrating the duo's triumph over other lands. When the two war veterans arrive back in the United States, they're surprised that their families and even the perceptions surrounding heroic acts have moved on. Ryan's wife, Penelope, has rejected the past violent glories of her husband, instead preferring the company of Dr. Norbert Woodly. Looseleaf's family has also moved on.

This novel tells the story of a devilish pair of twins whose enormous intellect is hidden behind a facade of idiocy.

A collection of commencement speeches and other wit and wisdom from the New York Times–bestselling literary icon and author of Slaughterhouse-Five. Master storyteller and satirist Kurt Vonnegut was one of the most in-demand commencement speakers of his time. For each occasion, Vonnegut’s words were unfailingly insightful and witty, and they stayed with audience members long after graduation. This expanded second edition also includes more than sixty pages of further thoughts from Vonnegut (whose good advice wasn’t limited to graduation speeches). Edited by Dan Wakefield, and including such pieces as “How to Make Money and Find Love!,” “How to Have Something Most Billionaires Don’t,” and “Somebody Should Have Told Me Not to Join a Fraternity,” this book reads like a narrative in the unique voice that made Vonnegut a hero to readers everywhere. Hilarious, razor-sharp, freewheeling, and at times deeply serious, these reflections are ideal not just for graduates but for anyone undergoing what Vonnegut would call their “long-delayed puberty ceremony”—marking the long and challenging passage to full-time adulthood. “Like Mark Twain, Mr. Vonnegut used humor to tackle the basic questions of human existence.” —The New York Times

“[Kurt Vonnegut] has never been more satirically on-target. . . . Nothing is spared.”—PeopleJailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government—and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times. Praise for Jailbird“[Vonnegut] is our strongest writer . . . the most stubbornly imaginative.”—John Irving “A gem . . . a mature, imaginative novel—possibly the best he has written . . . Jailbird is a guided tour de force of America. Take it!”—Playboy“A profoundly humane comedy . . . Jailbird definitely mounts up on angelic wings—in its speed, in its sparkle, and in its high-flying intent.”—Chicago Tribune Book World “Joyously inventive . . . gleams with the loony magic Vonnegut alone can achieve.”—Cosmopolitan “Vonnegut is our great apocalyptic writer, the closest thing we’ve had to a prophet since . . . Lenny Bruce.”—Chicago Sun-Times “Vonnegut at his impressive best. . . . His imaginative leaps alone . . . are worth the price of admission. . . . His far-reaching metaphysical and cultural concerns . . . are ultimately serious and worth our contemplation.”—The Washington Post

<p>This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. <br><br>Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece <em>Slaughterhouse-Five;</em> wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. <br><br>Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon.<br><br><strong>• On a job he had as a young man:</strong> “Hell is running an elevator throughout eternity in a building with only six floors.”<br><strong>• To a relative who calls him a “great literary figure”:</strong> “I am an American fad—of a slightly higher order than the hula hoop.”<br><strong>• To his daughter Nanny:</strong> “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.”<br><strong>• To Norman Mailer:</strong> “I am cuter than you are.”<br><br>Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.</p> <p>This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut's fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. <br> <br> Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece <i>Slaughterhouse-Five;</i> wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as...

Short Story

<p>“Relentlessly fun to read.”—Dave Eggers • A collection of fourteen previously unpublished short stories from one of the most original writers in all of American fictionIn this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post–World War II America—a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut’s trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned “murder counselor” concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing—and provide insight into the development of his early style—collectively, they have a timeless quality that makes them just as relevant today as when they were written. It’s impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut’s characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever—and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius.</p> <p>Includes these never-before-published stories:“Confido” “FUBAR” “Shout About It from the Housetops” “Ed Luby’s Key Club” “A Song for Selma” “Hall of Mirrors” “The Nice Little People” “Hello, Red” “Little Drops of Water” “The Petrified Ants” “The Honor of a Newsboy” “Look at the Birdie” “King and Queen of the Universe” “The Good Explainer”“[Look at the Birdie] brings us the late writer’s young voice as he skewers—sometimes gently, always lethally—post World War II America.”—The Boston Globe</p> EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold. EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold. EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold. EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold. EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold. EDITORIAL REVIEW: **Look at the Birdie** is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, **Look at the Birdie** is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before **Look at the Birdie** goes on sale. Available wherever e-books are sold.

A never-before-seen collection of deeply personal love letters from Kurt Vonnegut to his first wife, Jane, compiled and edited by their daughter“A glimpse into the mind of a writer finding his voice.”—The Washington Post“If ever I do write anything of length—good or bad—it will be written with you in mind.”Kurt Vonnegut’s eldest daughter, Edith, was cleaning out her mother’s attic when she stumbled upon a dusty, aged box. Inside, she discovered an unexpected treasure: more than two hundred love letters written by Kurt to Jane, spanning the early years of their relationship. The letters begin in 1941, after the former schoolmates reunited at age nineteen, sparked a passionate summer romance, and promised to keep in touch when they headed off to their respective colleges. And they did, through Jane’s conscientious studying and Kurt’s struggle to pass chemistry. The letters continue after Kurt dropped out and enlisted in the army in 1943, while Jane in turn graduated and worked for the Office of Strategic Services in Washington, D.C. They also detail Kurt’s deployment to Europe in 1944, where he was taken prisoner of war and declared missing in action, and his eventual safe return home and the couple’s marriage in 1945.Full of the humor and wit that we have come to associate with Kurt Vonnegut, the letters also reveal little-known private corners of his mind. Passionate and tender, they form an illuminating portrait of a young soldier’s life in World War II as he attempts to come to grips with love and mortality. And they bring to light the origins of Vonnegut the writer, when Jane was the only person who believed in and supported him supported him, the young couple having no idea how celebrated he would become. A beautiful full-color collection of handwritten letters, notes, sketches, and comics, interspersed with Edith’s insights and family memories, Love, Kurt is an intimate record of a young man growing into himself, a fascinating account of a writer finding his voice, and a moving testament to the life-altering experience of falling in love.

<p>“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—TimeMother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.</p> <p>“A great artist.”—Cincinnati Enquirer “A shaking up in the kaleidoscope of laughter . . . Reading Vonnegut is addictive!”—Commonweal</p> SUMMARY: Kurt Vonnegut is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as a “true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.”Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.*The New York Times“A great artist.”—Cincinnati Enquirer“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer…a zany but moral mad scientist.”—Time

Palm Sunday is a self-portrait by an American genius. Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too human journey through life. It is a work that resonates with Vonnegut's singular voice: the magic sound of a born-story teller mesmerizing us with truth. *From the Trade Paperback edition.*

“A funny, savage appraisal of a totally automated American society of the future.”—San Francisco ChronicleKurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality. Praise for Player Piano“An exuberant, crackling style . . . Vonnegut is a black humorist, fantasist and satirist, a man disposed to deep and comic reflection on the human dilemma.”—Life “His black logic . . . gives us something to laugh about and much to fear.”—The New York Times Book Review

<h3>Amazon.com Review</h3><p>Dr. Wilbur Daffodil-11 Swain, centenarian, the last President of the United States, King of Manhattan, and one-half (along with his sister, Eliza) of the most powerful intelligence since Einstein, is penning his autobiography. He occupies the first floor of a ruined Empire State Building and lives like a royal scavenger with his illiterate granddaughter and her beau. Buffeted by fluctuating gravity, the U.S. has been scourged by not one, but two lethal diseases: the Green Death and the Albanian Flu. Consequently, the country has fallen into civil war. (Super-intelligent, miniaturized Chinese watch the West self-destruct from the sidelines.) Swain stayed at the White House until there were no citizens left to govern, then moved to deserted New York City, where he writes a thoughtful missive before death. </p><p>In <em>Slapstick</em>, Vonnegut muses on war, man's hubris, and the awful, crippling loneliness humans are freighted with--but, miraculously, the book still manages to delight and amuse. Absurd, knowing, never depressing, <em>Slapstick</em> kindles hope--for the possibility of wisdom, perhaps; for human resiliency, surely. </p><p>It's best to end with a quote from the prologue wherein the author discourses on The Meaning of It All, or at least This Book: "Love is where you find it. I think it is foolish to go off looking for it, and I think it can often be poisonous. <br />I wish that people who are conventionally supposed to love each other would say to each other, when they fight, 'Please--a little less love, and a little more common decency.'" <br />Amen. </p><h3>Review</h3><p>“Some of the best and most moving Vonnegut.”—_San Francisco Chronicle<br />_<br />“Both funny and sad . . . just about perfect.”—_Los Angeles Times_ </p><p>“Imaginative and hilarious . . . a brilliant vision of our wrecked, wacked-out future.”—_Hartford Courant_</p>

A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

The story is set in 2158 A.D., after the invention of a medicine called Anti-Gerasone, which is made from mud and dandelions and is thus inexpensive and widely available. Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago " Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder. " He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

SUMMARY: Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post-World War II America-a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Vonnegut explores the relationship between science's pursuit of truth and the state’s need to control it in ""The Petrified Ants,"" a darkly whimsical story about two Soviet researchers who stumble upon an amazing discovery, only to learn that natural history is also written by the hand that wields the power. ""The Petrified Ants"" and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut's unique voice had been stilled forever-and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius. Other stories from Look at the Birdie available as single-story e-books: On sale August 25, 2009"Hello, Red" On sale October 20, 2009: "Confido""FUBAR""Shout About It from the Housetops""Ed Luby's Key Club""A Song for Selma""Hall of Mirrors""The Nice Little People""Little Drops of Water""The Honor of a Newsboy""Look at the Birdie" (Short Story)"King and Queen of the Universe""The Good Explainer"

When Winston Niles Rumfoord flies his spaceship into a chrono-synclastic infundibulum he is converted into pure energy and only materializes when his waveforms intercept Earth or some other planet. As a result, he only gets home to Newport, Rhode Island, once every fifty-nine days and then only for an hour. But at least, as a consolation, he now knows everything that has ever happened and everything that ever will be. He knows, for instance, that his wife is going to Mars to mate with Malachi Constant, the richest man in the world. He also knows that on Titan -- one of Saturn's moons -- is an alien from the planet Tralfamadore, who has been waiting 200,000 years for a spare part for his grounded spacecraft...

A New York Times Notable Book from the acclaimed author of Slaughterhouse-Five, Breakfast of Champions, and Cat's Cradle. At 2:27pm on February 13th of the year 2001, the Universe suffered a crisis in self-confidence. Should it go on expanding indefinitely? What was the point?There's been a timequake. And everyone—even you—must live the decade between February 17, 1991 and February 17, 2001 over again. The trick is that we all have to do exactly the same things as we did the first time—minute by minute, hour by hour, year by year, betting on the wrong horse again, marrying the wrong person again. Why? You'll have to ask the old science fiction writer, Kilgore Trout. This was all his idea.

Wampeters, Foma & Granfalloons (Opinions) is a rare opportunity to experience Kurt Vonnegut speaking in his own voice about his own life, his views of the world, his writing, and the writing of others. An indignant, outrageous, always witty, and deeply felt collection of reviews, essays, and speeches, this work is a window not only into Vonnegut' s mind...but also into his heart. " A great cosmic comedian and a rattler of human skeletons, an idealist disguised as a pessimist... has written a book filled with madness and truth and absurdity and self-revelation. " -- " St. Louis Post-Dispatch"" He is our strongest writer... the most stubbornly imaginative. " -- John Irving" "*" The New York Times"

Since its original publication in 1968, Welcome to the Monkey House has been one of Kurt Vonnegut’s most beloved works. This special edition celebrates a true master of the short-story form by including multiple variant drafts of what would eventually be the title story. In a fascinating accompanying essay, “Building the Monkey House: At Kurt Vonnegut’s Writing Table,” noted Vonnegut scholar Gregory D. Sumner walks readers through Vonnegut’s process as the author struggles—false start after false start—to hit upon what would be one of his greatest stories. The result is the rare chance to watch a great writer hone his craft in real time. Includes the following stories:“Where I Live”“Harrison Bergeron”“Who Am I This Time?”“Welcome to the Monkey House”“Long Walk to Forever”“The Foster Portfolio”“Miss Temptation”“All the King’s Horses”“Tom Edison’s Shaggy Dog”“New Dictionary”“Next Door”“More Stately Mansions”“The Hyannis Port Story”“D.P.”“Report on the Barnhouse Effect”“The Euphio Question”“Go Back to Your Precious Wife and Son”“Deer in the Works”“The Lie”“Unready to Wear”“The Kid Nobody Could Handle”“The Manned Missiles”“Epicac”“Adam”“Tomorrow and Tomorrow and Tomorrow”

### From Publishers Weekly The 16 previously unpublished short stories of this collection, taken from the beginning of Vonnegut's career, show a young author already grappling with themes and ideas that would define his work for decades to come. "Girl Pool" features typist Amy Lou Little, employee of the Kafkaesque Montezuma Forge and Foundry Company, who is tasked with transcribing a plea for help she receives on her Dictaphone from an escaped, dying murderer hiding somewhere in the works of the company's cavernous factory. The tale reveals Vonnegut investigating one of his recurring themes: the isolation brought by technology and the necessity for basic humanity in the workplace. The title story melds a sentimental meditation on the true meaning of Christmas with elements of the mystery genre as a hard-nosed reporter stalks the story of stolen nativity scene characters. While these early stories show an author still testing the boundaries of his craft and obsessions, Vonnegut's acute moral sense and knack for compelling prose are very much on display. In the foreword, Dave Eggers calls Vonnegut "a hippie Mark Twain," which perfectly captures an essential truth about this esteemed author. (Jan.) (c) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ### From Early in his career, before he fused his satirical wit and world-weary intellect in the distinctive, quasi-sf style of Cat’s Cradle (1963) and Slaughterhouse-Five (1969), Vonnegut wrote short stories for mainstream publications, such as Collier’s and The Saturday Evening Post. The 16 unpublished stories in this collection were either not submitted or not accepted, although it is easy to imagine them appearing in those contexts. Tightly and crisply written, they concern cynical newspapermen and the spirit of Christmas (“While Mortals Sleep”), practical jokes taken too far (“Bomar”), the self-sacrifice of a pregnant widow (“Ruth”)—he had lived through the firebombing of Dresden but had not yet explored it in fiction. There are foreshadowings of Vonnegut the cynical sage, however, in “With His Hand on the Throttle,” when a woman dive-bombs her grown son’s overgrown train layout; in “Tango,” when libidinous dancing disrupts a WASP-y enclave; and in “Girl Pool,” in which alienation arrives via the Dictaphone. As in Look at the Birdie (2009), these stories, while clearly seminal, constitute a worthwhile contribution to the author’s oeuvre. HIGH-DEMAND BACKSTORY: The legendary author’s death in 2007 means an eventual end to unpublished writings, and Vonnegut fans have read all their old paperbacks to tatters. --Keir Graff