S.Y. Agnon

Awarded the Nobel Prize in Literature in 1966, S. Y. Agnon is considered the towering genius of modern Hebrew literature for his hard-edged modernism and soft-hued imagery. With this new collection of stories, the English-speaking audience has, at long last, access to the rich and brilliantly multifaceted fictional world of one of the great writers of this century. These stories span the lifetime of a quintessential wandering Jew - born in Buczacz, Poland, living in Germany, and finally settling in Jerusalem - and they bring to life the full gamut of the modern Jewish experience in fiction. This broad selection of Agnon's fiction introduces the full sweep of the writer's panoramic vision as chronicler of the lost world of Eastern European Jewry and the emerging society of modern Israel. Here are stories that portray the richly textured culture of traditional Jewish life in Poland, as well as changes in the life of the community over time. Several stories reflect on the Jewish infatuation with German and Western culture in the interwar period: "On the Road", for example, narrates an eerie encounter on the eve of a holy day between an itinerant Jew and a ghostly company of martyred Jews from the Crusades. The early years of Jewish settlement in the land of Israel are recalled in "Hill of Sand", which is also a revealing portrait of the artist as a young man; "A Book That Was Lost" is a powerful metaphor for the writer's own journey from Buczacz to Jerusalem.

"This is the chronicle of the city of Buczacz, which I have written in my pain and anguish so that our descendants should know that our city was full of Torah, wisdom, love, piety, life, grace, kindness and charity, begins this epic literary memorial which Nobel laureate S.Y. Agnon devoted to his Galician city (in today's western Ukraine). In the last years of his life, Agnon returned in his fiction to his ancestral hometown in order to re-imagine Buczacz in the days of its greatness. This new collection contains annotated translations of the major stories of A City in Its Fullness, a nuanced and complex picture of the past of one Jewish community. " -- from the cover.

Hailed as one of Agnon's most significant works, "A Guest for the Night depicts Jewish life in Eastern Europe after World War I. A man journeys from Israel to his hometown in Europe, saddened to find so many friends taken by war, pogrom, or disease. In this vanishing world of traditional values, he confronts the loss of faith and trust of a younger generation. This 1939 novel reveals Agnon's vision of his people's past, tragic present, and hope for the future. Cited by National Yiddish Book Center as one of "The Greatest Works of Modern Jewish Literature" The Wisconsin edition is not for sale in the Republic of Ireland, South Africa, or the traditional British Commonwealth (excluding Canada.)

Originally published in Hebrew 50 years ago, this is the not-so-simple story of a bygone time and place, about passion and the wisdom of community. The author asserts his values of community in a story rich in biblical allusion and redolent of the society in which he was raised.

S.Y. Agnon's final, posthumous novel, now in English translation for the first time, fully annotated and with an insightful Foreword by translator Glenda Abramson. In Mr. Lublin's Store, set in Leipzig during World War I, is a profound commentary on exile and Zionism, assimilation and faith, Germans and Jews, and the pull that the past exercises on the present. [[ Translated and with a foreword by Glenda Abramson, Oxford University [[ Afterword by renowned Israeli author Haim Be'er exploring the role of the novel in Agnon's canon and the symbolism of books and reading to unlock the secret [[ 29 pp of illustrated annotations by series editor Jeffrey Saks, excavating the many sources in biblical and rabbinical literature Agnon drew on as well as the relaid of the historical time and place in which the novel is set.

When Israeli Nobel Laureate S. Y. Agnon published the novel Only Yesterday in 1945, it quickly became recognized as a major work of world literature, not only for its vivid historical reconstruction of Israel's founding society. The book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

Manfred Herbst, a middle-aged professor at the Hebrew University, is bored. He is bored with his studies, with the petty squabbles of his academic colleagues, and with his endlessly understanding wife, Henrietta. He spends his days - and often his nights - prowling the streets and alleys of Jerusalem searching for Shira, the beguiling nurse he met at a hospital years ago. Against the backdrop of 1930s Jerusalem - a world on the brink of war - Herbst wages his own war against the encroachment of age as he plunges deeper into fantasies sparked by the free-spirited Shira. Shira, the last novel of Hebrew writer and 1966 Nobel Laureate S.Y. Agnon, was unfinished at the time of his death in 1970. Agnon wrote two very different endings for this novel, both of which are included here, along with an afterword by Robert Alter.

The Bridal Canopy, Nobel laureate S.Y. Agnon's mock epic novel, is an elaborate frame story encompassing dozens of Hassidic tales. Set in early nineteenth-century Galicia, the plot is part quest, part comedy of errors, progressively departing from its opening tone of realism. It is the tale of poor Reb Yudel of Brody (in today's western Ukraine, about 100 miles north of Agnon's native Buczacz), his long-suffering wife, Frummet, and their three modest and righteous daughters, each in need of a bridegroom. The narrative is decisively double-edged: na ve, in the manner of classic folk tales, as well as sophisticated and artful, as a modern work. The Bridal Canopy parodies the Hassidic folk tale, but does so very delicately; it censures without acrimony, always maintaining an air of reverence for the Old World. Unlike other depictions of Eastern European Jewry's shtetl life, the story is sufficiently subtle to support divergent readings and that is clearly part of Agnon's accomplishmen

In this new collection of political satires by Nobel laureate S.Y. Agnon we witness the satirist sharpening his pen like a carving knife, revealing his opinions from behind the mask of his art. Treating themes and events in the history of early twentieth-century Zionism, these stories continue to fascinate contemporary readers, questioning the degree to which a gap remains between aspiration and implementation in Jewish life and civic society in the modern State of Israel.

S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated. The Parable and Its Lesson is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time—the Holocaust. James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

The volume's title story Two Scholars Who Were in Our Town tells of the epic clash between two Torah scholars who according to the Talmudic phrase cannot abide each other in matters of halakhah . First published in Hebrew 1956, the story is set over a period of roughly thirty years during the mid-nineteenth century in an unnamed Our Town, clearly meant to be Agnon's native Buczacz (in today's western Ukraine). Narrating from a point three or four generations after the action, the narrator waxes nostalgic even elegiac for a time when Torah was beloved by Israel and the entire glory of a man was Torah, [when] our town was privileged to be counted among the most notable towns in the land on account of its scholars. And yet, as the plot unwinds and insults are traded in the Study House, the ancient Talmudic curse begins to work its dark power, leading to the tragic denouement. And here we see Agnon's power as a tragedian on an almost Greek scale. With his typical irony at work, the narrator pines for an earlier, more ideal time which turns out to have been rife with flaws and tragic personalities of its own. This draws the reader to question was it always ever thus? This is Agnon at his best distilling the classical texts of Jewish study into a modern midrashic matrix on which he composed his Nobel-winning literature. Includes new Foreword by Jeffery Saks and a bibliographic essay reviewing the literary criticism. -- Amazon.com.